Action Dead
Mouse is the title of the performance where Joseph Beuys
puts on, in his way, death
and rebirth of art. But the result of resurrection is inevitably
different than
what there was before. And above all, It has a big question mark in
front of
him. Action
Dead
Mouse is a project that comes up from the ashes of other
projects and from
unexpected meetings, from ideas picked up along the years and from
sudden sound
illuminations, from left instruments and then recovered all dusty. It
was born
in the same brain area that comes in function at the time when the
bride chooses
to leave the own marriage when all guests already sit and the parents
have
already started taking out handkerchief and purse.
In a
certain way escape into dream world searching for new illusions, with a
concrete risk of non-return, is the crucial point of the concept that
is behind
this band establishment, built and active in Bologna since January
2005. Initially there
was a trio and after having stunned lots of violoncellists at
conservatoire
exit, they made the decision to revert their curiosity towards viola
sound,
maybe less known and underestimated strings instrument but far the more
versatile and in other words the most beautiful. So the band becomes
Italian
for three quarters and Spanish for one quarter, under the banner of
multiculturalism.
After one year of hysteric shouts and
self-reclusion in Bologna suburbs building undergrounds, as long as a
train and
as high as 13 trains, they recorded EP « Pets and Nerds attack Planet Earth »
in 3 days and direct coupling, making a collection of 8
semi-instrumental pieces between indie and
post rock, a bastard mix of single experiences in blues, punk, classic
music
and in the rarefied and noisy sound atmospheres.
The result is an intriguing bastard child of the
likes of Room 204, Bob
Tilton, Shellac or Red Neck Manifesto. It could also be
described as Don
Cabellero who would have gone
on a diet to reach their ideal weight. Brainy and
punchy, the interweaving looped guitar patterns and distinctive
complicated but straightforward drumming, surprise with a touching
singularity and pedigree. The
obstination of delayed guitars and wistful breaks in
"Wegmann",
the dub-rock loose energy of "Edgar", the subtelty of collapsing
melodies of "Adulationize" or even the focused anger of "The
day
Grandma died" make for a rewarding and fascinating listen for any
instrumental indie-rock lover!